THEA MALONEY
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THEA MALONEY
Enoch
Review by Roger Batty on MusiqueMachine.com
published September 5th, 2023

Enoch is wall noise split bringing together two thirty-minute examples of the form from two Portland-based projects. One track is cumbersome & weathered, while the second is manically detailed & densely pelting.
The release is a digital download that appears on Portland’s Basement Corner Emissions- which has a good history of putting out walled noise. The cover features a dense grey and black box- overlaid over each other. A simple yet effective bit of artwork. The release can be found here. 
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First up we have the track "Behemah" by Thar Desert. This is the first time I’ve heard of this project- they seemingly started in August of 2022- with five other releases to their name. All of the projects work is seemingly themed around the desert. The track featured here is built around a constantly low to mid-range billow- which is topped by a selection of small metallic knocks and scrapes. This track brings to mind such well-defined images of lines of white-robed figures crossing a vast white desert- their baggy robes blowing in the acrid and constant breeze water. Worn metal water flasks are strapped to the side of their camels, and the rider's sliver-tipped robe ties are gently knock against the flasks.

Next, we have  “The Daughters Of Men” from Hana Haruna. The project has been active since 2018- with over one hundred and twenty releases to its name. Behind the project is Ken Jamison, who also runs the internet-based noise label Basement Corner Emissions, as well as been behind a few other projects. This track is constructed around a highly dense & detailed blend of low-end scrape, smaller manically focused scratchers, darting hisses ‘n’ whips, and sub-tone jitter ‘n’ hiss. The track feels like it’s slowly but surely getting more detailed/ manic- though I think this may well be a trick of the ‘wall’ and it’s just all built around very well mixed & balanced fixed.
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So in conclusion Enoch is a most worthy split- with both parties offering up two different, but equally compelling 'walls'. I wanted to give this a three & a half mark- but as we only do whole marks, I've gone for a four.

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